17
Aug
Be it a complicated inter-twined story of urban life in a film like ‘Life in a… Metro’, taking us through nooks and corners of Singapore in ‘Gangster’ or even taking the audience through the beautiful hill-station of Darjeeling in one of his most successful films ‘Barfi!’, Anurag Basu is one of those filmmakers who always tries to treat his story like a painting unfolding on big-screen. As the conversation around screen size and cinema changed in the post-pandemic era, the filmmaker says even though the process of learning and unlearning continues in his mind to stay relevant with time, he…